Degree in Philosophy from the University of Valencia and Master's Degree in Photography from the same university. DEA in Communication and Doctor from the University of Alicante. His initial training in photography took place at Spéos (Paris Photographic Institute) and completed at the universities of Alicante and Valencia. Parallel to the realization of his personal projects as a documentary photographer and university and high school teaching, he has developed an intense activity as a photography theorist thanks to various research grants from the Juan Gil-Albert Institute in France, highlighting his publications: “Photography and humanism "," Dysphoric advertising and gender confusion in cultural industries. The Benetton campaigns and social advertising ”,“ The body in the photographic images of interwar French surrealism ”,“ Pierre Mac Orlan: the “social fantastic”, the new media and advertising ”,“ Aesthetics and technique of the decisive moment. Photography according to Henri Cartier-Bresson ”,“ Walter Benjamin: surrealism and his photography at the origin of the new social functions of art ”,“ Walker Evans and Europe. The influence of the avant-garde in the North American documentary style ”. He has taught the following courses in Spanish universities: "Photography and duel of the great war", "Image and pain in the Great War. An approach from the philosophy of photography ”,“ Gender and photography in the surrealist avant-garde ”.
His research and teaching career focuses on the study of the history and theory of photography. He has been one of the promoters and coordinator of the Title of Expert in Contemporary Photography at the University of Alicante, a title in which he taught the subject History of Photography and was a project tutor. He is a member of the Audiovisual Communication Research Group (ICOMAV) of the University of Alicante.
Degree in Philosophy from the University of Valencia and Master's Degree in Photography from the same university. DEA in Communication and Doctor from the University of Alicante. His initial training in photography took place at Spéos (Paris Photographic Institute) and completed at the universities of Alicante and Valencia. Parallel to the realization of his personal projects as a documentary photographer and university and high school teaching, he has developed an intense activity as a photography theorist thanks to various research grants from the Juan Gil-Albert Institute in France, highlighting his publications: “Photography and humanism "," Dysphoric advertising and gender confusion in cultural industries. The Benetton campaigns and social advertising ”,“ The body in the photographic images of interwar French surrealism ”,“ Pierre Mac Orlan: the “social fantastic”, the new media and advertising ”,“ Aesthetics and technique of the decisive moment. Photography according to Henri Cartier-Bresson ”,“ Walter Benjamin: surrealism and his photography at the origin of the new social functions of art ”,“ Walker Evans and Europe. The influence of the avant-garde in the North American documentary style ”. He has taught the following courses in Spanish universities: "Photography and duel of the great war", "Image and pain in the Great War. An approach from the philosophy of photography ”,“ Gender and photography in the surrealist avant-garde ”.
His research and teaching career focuses on the study of the history and theory of photography. He has been one of the promoters and coordinator of the Title of Expert in Contemporary Photography at the University of Alicante, a title in which he taught the subject History of Photography and was a project tutor. He is a member of the Audiovisual Communication Research Group (ICOMAV) of the University of Alicante.