Competencias y objetivos

 

Contexto de la asignatura para el curso 2011-12

Sin datos

 

 

Competencias de la asignatura (verificadas por ANECA en grados y másteres oficiales) para el curso 2011-12

Sin datos

 

 

Resultados de aprendizaje (Objetivos formativos)

Sin datos

 

 

Objetivos específicos indicados por el profesorado para el curso 2011-12

 By the end of the semester the students of this subject will have achieved the necessary skills to perform a critical analysis of a film production in semiotic terms. For this purpose they will have acquired a basic knowledge of film syntax within the evolution of film history, from the silent period to the XXI century. Besides this theoretical perspective, a survey of the social context in which the film is produced will help to assess its ideological impact on the general public of its country of origin and beyond. A study of film genre, using melodrama as a case study, and the blurring of boundaries with other genres and textual forms will help to get a general overview of contemporary film production using analytical tools of general literary criticism applied to both the films and also some of the texts they are based on (Much Ado About Nothing, Turn of the Screw, Strangers on a Train and Invasion of the Body Snatchers). Finally, the possibility of analyzing the individual work of a major filmmaker, Alfred Hitchcock in this semester, will help to develop a pattern of global assessment on the concept of Film d`Auteur

 

 

Datos generales

Código: 8933
Profesor/a responsable:
Sanderson Pastor, John Douglas
Crdts. ECTS:
Créditos teóricos: 1,50
Créditos prácticos: 4,50
Carga no presencial:

Departamentos con docencia

  • Dep.: FILOLOGÍA INGLESA
    Área: FILOLOGIA INGLESA
    Créditos teóricos: 1,5
    Créditos prácticos: 4,5
    Este dep. es responsable de la asignatura.
    Este dep. es responsable del acta.

Estudios en los que se imparte